![]() |
| Stieg Larsson: speaking as a European... |
If you are going to be an exporter of content, you need to know what other countries are looking for.
It’s quite simple really: they are looking for what they cannot do themselves. Nearly everyone prefers content from their own country, in their own language. We are all locked into our private worlds, languages and cultures.
Let us take some examples. Drama is expensive – something many countries can only afford in small quantities. Some countries produce only low-budget soaps – so they may provide a market for good-quality mid-evening series. Even countries which can afford some primetime drama will have be gaps in the schedule.
Because of the preference for own-language work, format licensing has been a huge success. The key elements of the production are locked into a format bible, which is, in essence, a do-it-yourself manual for the production of a hit show.
And some factual content is of generic interest, natural history being the most obvious example. I won’t be saying much about news here, but news footage falls into that category too.
There are also a while number of practical considerations that go beyond price. Content must accommodate a country’s viewing patterns and scheduling habits.
These are some of the questions that need answers before assessing the potential demand in a given market. This can all be done with a careful look at a given country’s media structures and outputs. I will be saying more about how to assess a given market in later posts.
However there are many intangibles, which are more interesting because they are seldom discussed in a commercial context.

